![]() ![]() The following section evaluates how correctional facilities provide such care, concluding that failure is inevitable in a security-based, low-resource environment. ![]() Initial chapters discuss how and why the mentally ill are easily drawn into the criminal justice system, including a history of U.S. ![]() The book is organized around the process of criminalization. Roth mines an impressive array of interviews, case studies, official records, research, and statistics to support this view. As a result, correctional facilities have become mental health providers by default, exhibiting many of the poor conditions and abusive aspects of mental asylums of the past. prisons, and mass incarceration has aggravated the problem. As reported here by veteran journalist Roth, mental illness affects more than half of the inmates in U.S. ![]()
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![]() ![]() The film score was composed by Trevor Jones. The Dark Crystal was produced by Gary Kurtz, while the screenplay was written by David Odell, with whom Henson previously worked as a staff writer for The Muppet Show. Froud also collaborated with Henson for his next project, the 1986 film Labyrinth. The primary concept artist was fantasy illustrator Brian Froud, famous for his distinctive fairy and dwarf designs. The animatronics used in the film were considered groundbreaking for the time, with most creatures, like the Gelflings, requiring around four puppeteers to achieve full manipulation. It was marketed as a family film, but was notably darker than the creators' previous material. The plot revolves around Jen and Kira, two Gelflings on a quest to restore balance to the world of Thra and overthrow the evil, ruling Skeksis by restoring a powerful broken Crystal. The film was produced by ITC Entertainment and The Jim Henson Company and distributed by Universal Pictures. ![]() It stars the voices of Stephen Garlick, Lisa Maxwell, Billie Whitelaw, Percy Edwards, and Barry Dennen. The Dark Crystal is a 1982 dark fantasy film directed by Jim Henson and Frank Oz. ![]() ![]() ![]() Vividly imagined fight scenes, clever use of obscure mythology, a uniquely interesting setting, and rich characterization make this a rare treat, only hampered by the complexity of the pre-existing knowledge required to fully appreciate the developments and conflicts. Nonstop action and intrigue fill the halls of the secluded castle as schemes come to fruition. But the mountains are full of strange beasts and deadly mythological creatures, and one of Kate’s greatest enemies is hosting the convocation, heralding a confrontation she’s not ready for. ![]() In exchange for bodyguarding a pregnant shapeshifter during a critical time of negotiation between three powerful packs, they’ll receive ample amounts of the panacea drug, essential for ensuring the future of their own people. The smart latest installment of Andrews’s semi-post-apocalyptic urban fantasy series (after Gunmetal Magic) takes mercenary Kate Daniels and her mate, the werelion Curran, to the Carpathian Mountains. ![]() ![]() New Line Cinema bought the rights in 2004 and work began, but the work ended when New Line folded. ![]() There are so many ways this project could have gone wrong, and as is usually the case with fantasy books of this magnitude, a film was considered first. Taking Clarke's genius and adapting it, however? That is not an easy task. It's one of the best fantasy books written in a very long time - it's become one of my cherished favorites. It's not all world-building with no story, either, because what would be the point of that? Clarke's characters are heartbreakingly real, and the tale she spins is unforgettable. ![]() Clarke's footnotes make you feel like you are reading a true history about real people who are talking about books of magic that actually exist. ![]() In the hands of a lesser author, that would be tedious. The book contains plentiful footnotes, all of which are based in the alternate history that she has created - she might give you more information about a particular book that a character will randomly reference, with the footnotes related to it telling you everything there is to know about that book, including who fictitiously published it. ![]() Written by Susanna Clarke and published in 2004, it is a giant tome of wonderment, but it is also very grounded thanks to Clarke's almost inexplicable gift for world-building. The book that the series is based on is itself a masterpiece of fantasy. ![]() |